Orson Welles’s final film, newly completed after four decades in limbo, is a fascinating paradox: a deeply personal but radically collaborative project, which speaks as much to our time as to his.
A new book offers a revealing look into how social media has been “weaponized” by nefarious actors—even if it doesn’t show how the genie can be put back into the bottle.
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We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.