Forget the Hollywood treatment. Harriet Tubman’s real life was stranger than fiction—and shows how to reconcile seemingly contradictory visions of American history.
This year’s Salzburg Festival performance of Alban Berg’s 1925 opera Wozzeck captures the essence of World War I and the violent potential of mankind’s dehumanizing tendencies.
Thanks to an exhibition hosted by the National Gallery of Art, museumgoers are getting an uncensored, rich, and occasionally rough-around-the-edges view of a key Impressionist in his formative stages.
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We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.