Jean-Baptiste-Camille-Corot, “Orpheus Leading Eurydice from the Underworld” (Wikimedia Commons)
Hadestown on Broadway
Orpheus and the Wall

Broadway’s latest smash is a vivid reimagining of the Orpheus myth for our own troubled times.

Published on: May 7, 2019
Leah Libresco Sargeant is the author of Arriving at Amen and Building the Benedict Option. She is a Robert Novak Journalism Fellow.
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We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.
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