Yeah! Yeah! Yeah! The Story of Pop Music from Bill Haley to Beyoncé
W.W. Norton, 2014, 624 pp., $29.95
If you’ve ever seen the Jim Jarmusch film Mystery Train (1989), you’ve witnessed the whole of pop music criticism in microcosm, in the form of two Japanese tourists spending a night in Memphis while on a pilgrimage devoted to the King of Rock ’n’ Roll. Mitsuko shows her boyfriend the “important discoveries” in her notebook, pictures of the Statue of Liberty and Madonna; like a parody of the stuffy, tenured Americanist and his archetypes, they all...
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